SONG: Booth Killed Lincoln | 2018, acrylic on wood panel, based on the 19th century folk ballad “Booth Killed Lincoln,” 24”x42”
THE LAST WORD: Best | 2018, acrylic on wood panel, based on the 19th century folk ballad “Booth Killed Lincoln,” 24”x24”
 SCHEMATIC: Booth Killed Lincoln | 2018, marker on paper, based on the 19th century folk ballad “Booth Killed Lincoln,” 11”x14”
SONG: God Moves on the Water | 2018, acrylic on wood panel, based on the song “God Moves on the Water” by Blind Willie Johnson, 24”x30”
 THE LAST WORD: Lord | 2018, acrylic on wood panel, based on the song “God Moves on the Water” by Blind Willie Johnson, 24”x24”
SCHEMATIC: God Moves on the Water | 2018, acrylic on wood panel, based on the song “God Moves on the Water” by Blind Willie Johnson, 11”x14”
 SONG: Great Dust Storm | 2018, acrylic on wood panel, based on the song “Great Dust Storm” by Woody Guthrie, 36”x42”
 THE LAST WORD: Again | 2019, acrylic on wood panel, based on the song “Great Dust Storm” by Woody Guthrie, 24”x24”
 SCHEMATIC: Great Dust Storm | 2018, acrylic on wood panel, based on the song “Great Dust Storm” by Woody Guthrie, 11”x14”
SONG: Ruination Day | 2018, acrylic on wood panel, based on the song “Ruination Day, Part II” by Gillian Welch, 24”x18”
 THE LAST WORD: Jones | 2019, acrylic on wood panel, based on the song “Ruination Day, Part II” by Gillian Welch, 24”x24”
SCHEMATIC: Ruination Day, 2018, acrylic on wood panel, based on the song “Ruination Day | Part II” by Gillian Welch, 11”x14”
 THE DATE | 2018, acrylic on wood panel, based on 4 folk and blues songs that mention April 14, each 12”x12”
GRIEF | 2018, acrylic on wood panel, based on 3 folk and blues songs that mention April 14, each 4”x4”
 CHARACTERS | 2018, acrylic on wood panel, based on 4 folk and blues songs that mention April 14, each 6”x6”
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Prelude in C Major (red) | No. 1, 2013, watercolor on paper, based on music by J.S. Bach, 14” x 11”
Prelude in c minor (red) | No. 2, 2013, watercolor on paper, based on music by J.S. Bach, 14” x 11”
 Prelude in C-sharp Major (red-orange) | No. 3, 2013, watercolor on paper, based on music by J.S. Bach, 14” x 11”
 Prelude in c-sharp minor (red-orange) | No. 4, 2013, watercolor on paper, based on music by J.S. Bach, 14” x 11”
Prelude in D Major (orange) | No. 5, 2013, watercolor on paper, based on music by J.S. Bach, 14” x 11”
Prelude in d minor (orange) | No. 6, 2013, watercolor on paper, based on music by J.S. Bach, 14” x 11”
Unison Melody, No. 20 | 2015, watercolor on paper, based on music by Bela Bartok, 7” x 5”
Unison Melody | No. 21, 2015, watercolor on paper, based on music by Bela Bartok, 7” x 5”
Imitation & Counterpoint | No. 22, 2015, watercolor on paper, based on music by Bela Bartok, 7” x 5”
Imitation & Inversion, No. 23 | 2015, watercolor on paper, based on music by Bela Bartok, 7” x 5”
 Cello Suite No. 1 in G Major (blue-green) | 2014, watercolor on paper, based on music by J.S. Bach, 40” x 26”
Fugue in C Major (red), No. 1 | 2015, watercolor on paper, based on music by J.S. Bach, 22” x 30”
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Member Portfolio

Melinda Steffy

Philadelphia, PA

Résumé

Artist Statement

As both a visual artist and classically trained musician, I have long been fascinated by intersections between the disciplines. In my current artwork, I translate the linear, time-based format of music into spatial color patterns, so that what is normally heard in sequence can be seen all at once. Starting from masterworks by composers such as Bach and Bartók, my artwork blends color theory and music theory, revealing unexpected patterns that show the tonal and rhythmic complexity inherent in the music. The translations blend structure with fluidity, meticulous detail with the irregularity of hand-painted watercolors. They are made to look like a live performance sounds—full of precision, energy and variation.

Artist Biography

Philadelphia artist Melinda Steffy re-interprets music as color patterns, exploring ideas of translation, information/data, and how music weaves throughout human experience. Her RUINATION DAY project based on folk and blues music as oral history was recently exhibited at Tiger Strikes Asteroid Philadelphia. In 2017, she was commissioned by Eastern Mennonite University (VA) to create 100 paintings based on a Mennonite hymn in honor of their Centennial, and by Bryn Mawr Presbyterian Church (PA) to create a series of works based on J.S. Bach’s Christmas Oratorio. Melinda’s work was selected for Tiger Strikes Asteroid NY’s 2017-2018 Flat File program, and her artwork has been exhibited at Woodmere Art Museum (Philadelphia), Crane Arts (Philadelphia), The Art Gallery at City Hall (Philadelphia), 20*20 House (PA), Rowan University (NJ), and the Shenandoah Valley Bach Festival (VA), among many others. She is an artist member of InLiquid and a LEADERSHIP Philadelphia fellow, and she was a prize-winner in the 29th annual Faber Birren Color Award Show (CT). Melinda previously taught art for young children at Woodland Montessori School (VA) and has been a guest lecturer and visiting artist at Tyler School of Art (PA), Arcadia University (PA), Friends Central School (PA) and Finlandia University (MI). Also an accomplished musician, she currently serves as executive director for music education nonprofit LiveConnections and sings with the Chestnut Street Singers. Melinda received a Master of Fine Arts degree in painting from The University of the Arts and a bachelor’s degree from Eastern Mennonite University.

Education

2006
The University of the Arts, Philadelphia, PA
MFA, Painting
2003
Eastern Mennonite University, Harrisonburg, VA
BA

Bibliography

Publications
2009
Levels of Reality, Unreality,” The Bulletin, March 5, 2009
Ten Tactile (But Not Touchable) Things to See at ICA,” The Bulletin, March 4, 2009
2008
The Architecture of a Community,” The Bulletin, September 17, 2008
Beauty from a Bygone Era,” The Bulletin, April 29, 2008
Puppets, in All Their Glory,” The Bulletin, March 5, 2008
Tibetan Buddhist Mandala in Process at Cathedral,” The Bulletin, January 29, 2008
2007
Viewer’s Guide to Contemporary Art,” The Bulletin, November 30, 2007
Eye Catching Exhibits Draw Viewers Inside,” The Bulletin, November 20, 2007
Pencil-and-Gouache Exhibit at Pentimenti Contrasts the Natural with the Constructed,” The Bulletin, November 8, 2007
Textbook Perfect: ‘Anatomy of the Book’ at Fleischer Art Memorial,” The Bulletin, October 16, 2007
’Big Love’ at Locks Gallery,” The Bulletin, October 9, 2007
Revel in Renoir,” The Bulletin, October 2, 2007
A New Place to Worship Art,” The Bulletin, September 28, 2007
Daring, Deafening and Different: ICA’s New Exhibit an Interactive Romp Through Artistic Imagination,” The Bulletin, September 13, 2007
‘Flights into Fantasy’ Captures Imagination Through Illustration,” The Bulletin, September 11, 2007

Professional Experience

2011 – present
Executive Director, LiveConnections, Philadelphia, PA
2010
Student Exhibition Consultant, Tyler School of Art, Temple University, Philadelphia, PA
Artist Talk & Studio Visits, Finlandia University, Hancock, MI
2009
Lecture/Presentation, Tyler School of Art, Temple University, Philadelphia, PA
2008
Art Faculty, Summer Institute for the Gifted, Bryn Mawr College, Bryn Mawr, PA
2004 – 2006
Art Faculty, Woodland Montessori School, Harrisonburg, VA
2003
Muralist & Instructor, Tshwane Leadership Foundation, South Africa

Exhibitions

Solo

2019
Ruination Day, Tiger Strikes Asteroid, Philadelphia, PA
2017
Graphic Notation: Visualizing the Music of J.S. Bach, Bryn Mawr Presbyterian Church, Bryn Mawr, PA
The Score Is Not the Music, InLiquid @ Crane Arts, The Hall, Philadelphia, PA
2015
The Score Is Not the Music, Shenandoah Valley Bach Festival, Harrisonburg, VA
2012
Rudimentary, The Music School of Delaware, Wilmington, DE
2011
Myth/Memory, The Hall, Inliquid at the Crane Arts Building, Philadelphia, PA
2010
Remnants and Residual Memories, Finlandia University, Hancock, MI
2009
Remnants and Residual Memories, Villanova University, Radnor, PA
Vegetable/Mineral, The Music School of Delaware, Wilmington, DE
2008
Particular Memories (Amid the Vast Emptiness of Forgetting), Sam Quinn Gallery, Philadelphia, PA
2006
MFA Thesis Exhibition, Remnant, The University of the Arts, Philadelphia, PA
2005
Halfway, Eastern Mennonite University, Harrisonburg, VA

Two-person
2015
Chromography: Writing in Color, Rowan University Art Gallery, Glassboro, NJ
with Gerard Brown

Group
2019
The Woodmere Annual, juried by Eileen Neff, Woodmere Art Museum, Philadelphia, PA
Pattern Burst, InLiquid @ The Yard, Philadelphia, PA
2018
Creative Women of Lansdowne, 20*20 House, Lansdowne, PA
2017
Flat File 2017-2018, Tiger Strikes Asteroid, Brooklyn, NY
10x10x100, curated by Ashley Sauder Miller, Eastern Mennonite University, Harrisonburg, VA
2016
POST Featured Exhibition, curated by the Center for Emerging Visual Artists, the Art Gallery at City Hall, Philadelphia, PA
Beyond Cold Polished Stones, curated by Anthony Campuzano, 20*20 House, Lansdowne, PA
Benefit v.16, InLiquid @ Crane Arts, The Ice Box, Philadelphia, PA
2015
Benefit v.15, Icebox Project Space, Philadelphia, PA
2014
Benefit Exhibition for BalletX, Bridgette Mayer Gallery, Philadelphia, PA
Benefit v.14, Icebox Project Space, Philadelphia, PA
2013
2013 Members Exhibition: InLiquid, PPAC, Second State, The Crane Arts Building, Philadelphia, PA
2012
Outside/Inside the Box, FiberPhiladelphia, Ice Box at the Crane Arts Building, Philadelphia, PA
2011
New Wilmington Painting, New Wilmington Art Association at Tower Hill School, Wilmington, DE
2010
Visual Fringe, Fringe Wilmington, Wilmington, DE
2009
Eyes on the Earth: Sustainability Through the Eyes of Artists, George School, Newtown, PA
Faber Birren Color Award Show, Stamford Art Association, Stamford, CT
Prize-winner
2008
Grand Small Works, F.U.E.L. Collection, Philadelphia, PA
Metaphoric Sunrise/Sunset, MicroMuseum, Brooklyn, NY
Currents, Studio Montclair, Montclair, NJ
2007
Fiber National, Lancaster Art Museum, Lancaster, PA
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