Loop Drive (Cleveland Ohio) | 2018, gouache on paper, 10" x 15-1/2
 Making Up Their Minds About the House on Deepgreen Lane (Levittown, PA) | 2018, oil on canvas, 48" x 60"
Swing Set | 2018, gouache on panel, 10" x 10"
See-Saw | 2018, gouache on panel, 10" x 10"
Merry-Go-Round | 2018, gouache on panel, 10" x 10"
Jungle Gym | 2018, gouache on panel, 10" x 10"
Slide | 2018, gouache on panel, 10" x 10"
Unsettled | 2018, oil on linen, 11" x 14"
Superior Markets (New York, NY) | 2018, charcoal and chalk on paper, 25" x 42-1/4"
The Beer Summit | 2009/2013, oil and paper on canvas, 7' 6" x 7'
Plink | 2017, oil on panel, 16" x 20"
View East: Aaron Burr | 2014, oil on panel, 10" x 10"
View West: Alexander Hamilton | 2014, oil on panel, 10" x 10"
Momentarily, Aaron Burr | 2015, charcoal on paper, 14-1/4" x 14"
Ready to Fight | 2017, linoleum relief print on paper, 18" x 24"
A Short Interview | 2012-2016, archival inkjet print on paper, 28-3/8" x 30-3/8"
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Global North | 2008, oil on panel, 47” x 47”
Global South | 2008, oil on panel, 47” x 47”
La Luna | 2010, gouache on paper, 13” x 13-½”
Arab-Israeli Sunset | 2006, oil on panel, 38” x 48”
Cascades West (Depoe Bay) | 2009, oil on panel, 33” x 40”
Nighttime On the Shore | 2010, gouache on paper, 22” x 30”
London Passage | 2010/2014, oil on panel, 47" x 30"
Northeast of Manhattan | 2004, oil on panel, 18” x 24”
New Orleans | 2011, oil on panel, 20" x 20"
His, Hers, Theirs | 2009, oil on panel, 2’4’’ x 5’
 Shock Waves (A Response to the Japanese Nuclear Crises) | site-specific installation at Pentimenti Gallery, Philadelphia, 2011, acrylic on duralar
Matchbook: Philadelphia/Orion | 2007, woodblock print on matchbook
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Member Portfolio

Daniel Oliva

Philadelphia, PA

Résumé

Artist Statement

My work addresses socially conscious concerns around eternal human issues of group power dynamics, social identity and how they express themselves through economic and social inequality. Status and hierarchy between social groups is a major theme of life in the United States. I aim to illuminate the vast social system surrounding each of us and clarify how it benefits certain groups over others. I research the history of American housing inequality based on racist segregation, exclusion, and exploitation.
The American home and the “American dream” are conjoined ideas that have a rich and historical presence in culture, but also affect our nation’s citizens in the most personal ways. We Americans do not seek one idealized roof over our heads, but we all want some form of security and equal opportunity for growth, education and lasting family bonds. Our current social landscape is blatantly unequal in such vicious and widespread ways that most of us are overwhelmed by any attempt to make sense of it. The causes and consequences of inequality can be described with sociological studies and graphs using historical analysis, but as an artist, I seek pull from these forms to evoke history, rather than simply explain it.
In order to maintain truthfulness in representation I almost always begin with a real place and explore its history, building a mix of characters, settings, and signs until the image feels as real as the history of that place. I focus on creating anachronistic tableaus, where within the frame one can observe three or four different periods and understand possible trajectories of cause-and-effect over decades. The street may be in the 1950s, but everything above the first story could be in 2018. Viewers can see inside and outside of buildings, being welcomed to identify with the interior lives of strangers.
My practice includes various approaches to drawing, painting and photography that combine realistic rendering, diagramming, abstraction and cartooning. By using realistic techniques and architectural language (cutaways, cross-sections, plan views, isometric and linear perspective) I engage with people’s imaginations because they can be pulled into the space and structure of the image. They can visualize themselves walking through these streets, hallways, and rooms. By using diagrammatic notation and non-objective marks and color, I can shift the conceptual and emotional tone of the work. Diagrammatic communication speaks to the idea that society is planned, structures are designed by ideology as much as for aesthetics and function. With the goal of clarifying our history of inequality in order to find new solutions, the metaphor of “architecture” speaks about the larger system that we often struggle to understand, and only through the use of imaginative intelligence can the viewer navigate such a maze.

Artist Biography

I am a Philadelphia-based artist who holds an MFA from the University of Pennsylvania School of Design, Philadelphia and a BFA from the Maryland Institute College of Art, Baltimore. I am a member of the NAPOLEON collective. I have exhibited at The Galleries at Moore, Goggleworks Art Center, Pentimenti Gallery, NAPOLEON, Marginal Utility, and Bridgette Mayer Gallery. Exhibitions that I have co-curated include Immigration Now at Penn State Abington and Exquisite Form: A Fiber Invitational, at Allens Lane Art Center in Philadelphia. I am an adjunct Professor at Penn State University, Abington and Drexel University, Philadelphia, and was an undergraduate instructor at the University of Pennsylvania School of Design.

Education

2013
Master of Fine Arts, University of Pennsylvania School of Design, Philadelphia, PA
2001
Bachelor of Fine Arts, Maryland Institute College of Art, Baltimore, MD
1999
Semester Abroad, Syracuse University, Florence, Italy

Collection

Commissions
2016
Untitled, private collection
2011
New Orleans, private collection
2009
Cascades West (Depoe Bay), private collection
His, Hers, Theirs, private collection

Affiliation

2016-ongoing
Member, NAPOLEON art collective, Philadelphia, PA
2010-2017
Exhibitions Committee member, Allens Lane Art Center, Philadelphia,
PA
2012-13
Member, College Art Association
2006-10
President, The Northwest Artists Collective, Philadelphia, PA
2003-07
Regional Community Arts Program, Center for Emerging Visual Artists, Philadelphia, PA


Professional Experience

Artist's Publicity
Chip Schwartz, “Mount Airy Contemporary paints Marginal Utility for Citywide”, Knight Arts Challenge Newsletter, November 14, 2013
Alison McMenamin, “Shock Waves at Sundown –Daniel Oliva’s Window Installation at Pentimenti”, The Artblog, August 19, 2011
Susan Lewis, “Interview with Daniel Oliva”, WRTI Radio, September 11, 2010
Lori Hill, “First Friday Focus”, Citypaper, April 5-April 12, 2007

Lectures/Talks
2018
Visiting artist, Germantown Academy, Fort Washington, PA
2010
Visiting artist/critic, Maryland Institute College of Art, Baltimore, MD
2003
Guest lecturer, Maryland Institute College of Art, Baltimore, MD

Teaching Experience
2017 - present
Adjunct Lecturer, Drexel University, Philadelphia, PA
- Introduction to Drawing
2016 - present
Instructor for Design Foundation, Summer Art and Design Initiative, Moore College of Art & Design, Philadelphia, PA
2014 - present
Adjunct Lecturer, Penn State University Abington Campus, Abington, PA
- Contemporary Art Seminar, Painting, Figure Drawing, Visual Thinking, Ancient Through Gothic Art History, Introduction to the Visual Arts (ART 1). I developed the first online version of ART 1 as well as regularly teaching the classroom lecture and newly modified studio versions
2014 - 2015
Adjunct Instructor, Delaware County Community College, Media, PA
- Drawing I, Watercolor Painting, Photography, 2D Design
2013 - 2016
Drawing Instructor, Mount Airy Learning Tree, Philadelphia, PA
2013
Recipient of PennDesign Teaching Fellowship, University of Pennsylvania, School of Design, Philadelphia, PA
- Drawing 1
2012
Drawing I Teacher’s Assistant, University of Pennsylvania, School of Design, Philadelphia, PA
Figure Drawing 1 and 2 Teacher’s Assistant, University of Pennsylvania, School of Design, Philadelphia, PA
2011
Drawing I Teacher’s Assistant, University of Pennsylvania, School of Design, Philadelphia, PA

Other
2018
Portfolio Reviewer, Maryland Institute College of Art, Baltimore, MD
2016
Contributing essayist, Kay Healy: What is Real, NAPOLEON Gallery, Philadelphia, PA
2010
Creator and MC, The Art Slam, Competition Between Artists… In Front of a Live Audience
2009
Guest Juror, Conshohocken Arts League, Annual Exhibition

Exhibitions

Solo
2018
White Constructions, NAPOLEON, Philadelphia, PA
2012
Selected Works, Green Line Café, Philadelphia, PA
2011
Shock Waves, (site-specific installation) Pentimenti Gallery, Philadelphia, PA
2010
Daniel Oliva: New Works, Ryan John Art Salon, Philadelphia, PA
2007
Nightcaps, Painted Bride Art Center Café Gallery, Philadelphia, PA

Group
2019
At the Same Time, Goggleworks Art Center, Reading, PA
2017
The One You Know, NoBa Art Space, Bala Cynwyd, PA
Float, NAPOLEON Gallery, Philadelphia, PA
Photography As Social Conscience: Impassioned Portrayals of Race in the U.S., Lore Degestein Gallery, Susquehanna University, Selingsgrove, PA
Amplify & Multiply, Coburn Gallery, Colorado College, Colorado Springs, CO
2016
Heads of State, Hamilton Street Gallery, Bound Brook, NJ
2015
Penn State Abington Faculty Exhibition, Penn State University Abington Campus, Abington, PA
2014
Do It, The Galleries at Moore, Philadelphia, PA
Benefit Exhibition, Bridgette Mayer Gallery, Philadelphia, PA
2013
North by Northwest, a CITYWIDE Exhibition curated by Mount Airy Contemporary Artist Space, Marginal Utility, Philadelphia, PA
Benefit Exhibition, Bridgette Mayer Gallery, Philadelphia, PA
University of Pennsylvania MFA Thesis Exhibition, Exhale Unlimited, Los Angeles, CA (curated by Alex Klein, Program Coordinator at the Institute of Contemporary Art, Philadelphia, PA)
2011
Astronomy, About Glamour Gallery, Brooklyn, NY
2010
Five Pack Philly, Dot and Irma’s Studio, Philadelphia, PA
Northwest Artists Collective, Duel Exhibition, Mount Airy Contemporary Artists Space and Allens Lane Art Center, Philadelphia, PA
2009
Silent Spaces, Sam Quinn Gallery, Philadelphia, PA
2008
Live With It, Photo West Gallery, Philadelphia, PA
2007
Northwest Artists Collective, Sedgwick Cultural Center, Philadelphia, PA
Summer in the City, Painted Bride Art Center, Philadelphia, PA
2006
Group Exhibition, Gallery Siano, Philadelphia, PA
From the Studio III, Center for Emerging Visual Artists, Philadelphia, PA
Regional Community Arts Program Exhibition, Einstein Hospital, Philadelphia, PA
Landscape Revisited, Main Line Art Center, Haverford, PA
Commissions


Curatorial Projects
2018
Co-Curator, Immigration Now, Penn State Abington Art Gallery, Abington, PA
2015
Co-curator, Exquisite Form: A Fiber Invitational, Allens Lane Art Center, Philadelphia, PA
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