No Other Place to Go
Photography has long occupied a unique position at the intersection of art and evidence, making it one of the most powerful tools for documenting climate change. A medium rooted in observation; photography records environmental transformation—retreating shorelines, altered river systems, industrial intervention, deforestation, and ecological loss—while also translating these changes into visual forms that can be felt as much as they are understood.
This exhibition No Other Place to Go considers how photography reflects the psychological weight of climate change, shaped by collective anxiety, grief, and uncertainty. The featured work by Anita Allyn, Richard Boutwell, Laura Krasnow, Kaitlin Pomerantz, and Emma Ressel exemplifies photography’s capacity to show what is happening in a world undergoing rapid climatic and ecological change.
This exhibition was guest curated by Katie Tackman in conjunction with the 20/20 Photo Festival, a celebration of photography that brings together the Philadelphia photo community through city-wide exhibitions, educational programming, and a book fair.
On View September 4 - October 17 at InLiquid Gallery
September Reception: Thursday, September 10, 6 – 9 pm RSVP here
October Reception: Thursday, October 8, 6 – 9 pm RSVP here
Artist Talk with Richard Boutwell: Sunday, September 13th, 1:45 - 2:30 pm RSVP here
Odds in the Absurd at Park Towne Place
On view October 16 - January 26, 2026
Park Towne Place - 2200 Benjamin Franklin Pkwy, Philadelphia PA
Reception - Tuesday, October 27, 6 – 8 pm, Free to attend, RSVP Required.
We're excited to announce Odds in the Absurd, our upcoming exhibition at Park Towne PlaceOdds in the Absurd examines the irreverent works by six InLiquid Members in connection with the Dada movement surrealism movement, in which absurdity, chance, and a sense of mystery do not pose the question ‘Is this art?’, but instead affirm it.
Featuring Lisa Baird, Alex Bard, Howard Brunner, williamCromar, Jake Jacob, and Kellianne McCarthy, Odds in the Absurd is characterized by its playfulness, experimentation, and commentary, demonstrating the continued relevance of Dada’s boundary-pushing approach more than a century after the movement emerged.
