Nkisi For Herbert, Mack, Virgil et al | encaustic, mixed media on found boxes, 18" x 21"
 Reckless Eyeballing | encaustic, mixed media on found boxes, 33" x 32"
Core | encaustic, nails, mixed media on found wood, 66" x 7" x 3"
Never Refuse | encaustic, bottle caps, mixed media on found wood, 12" x 21"
Show Me | encaustic, rust, mixed media on found wood, 14" x 25"
White-washed Sepulcher | encaustic, mixed media on found box, 12" x 14" x 3"
To The Shulamite Woman | encaustic, mixed media on panel, 20" x 20"
Ma Mere | encaustic, mixed media on panel, 24" x 24"
Downfall | encaustic on panel, 12" x 18"
Mystic Diptych | encaustic, mixed media on panel, 12" x 26"
A Bruised Reed | encaustic, mixed media on panel, 12" x 26"
Magpie on the Gallows | encaustic on panel, 18" x 24"
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Member Portfolio

Brenda Denise Howell

Philadelphia, PA

Résumé

Artist Statement

For as long as I can remember, I have been drawn to color and texture –wanting to produce beauty, but not beauty in the conventional sense. I desire to bring out the heavenliness that dwells in the imperfect, the unrefined and the discarded; a loveliness that quickens the soul and breath and makes you not want to look away but deeper.Encaustic, from the Greek enkaustikos, means to heat or to burn. Beeswax, pigment and heat are its source elements and together I find them endlessly fascinating and artistically fulfilling.
Beeswax is melted, color is added/blended, and applied with brushes sometimes thickly, sometimes thinly, each layer going from liquid to solid in a matter of seconds. Each layer is then fused with a heat gun. Layers are scraped (archaeological/excavation/mystery –going deeper and deeper) and applied, sometimes as many as a dozen times. It’s a laborious process with images arriving by intention –and by accident.
I always have a kernel of an idea of where a painting will “go” but the fickle nature of this medium often leads to a serendipitous destination.In my work the intent is to suggest the ‘presence of an absence”, to intrigue the viewer and set up a dialectical tension that is deliciously painful. Thru texture, color, layering and found materials (wax, rust, wood, anything discarded yet lovely) a tension is achieved –beauty vs. ugliness, aggressive vs. peaceful, forgotten vs. precious

Education

2002 - 2005
Tyler School of Art, Temple University, Philadelphia, PA
Coursework
1982
University of Pennsylvania, Philadelphia, PA
BA in Sociology

Awards & Honors

2019
Linda Gitterman Brener Award for Sculpture
Cheltenham Center for the Arts 78th Annual Members Show
2013
Leeway Foundation, Art and Change Grant
2012
Leeway Foundation, Art and Change Grant
HatchFund (Formerly USAProjects), artist advocacy grant
Philadelphia's Mothers in Charge Peacemaker Award
with MamaCITA

Bibliography

Shaw, Yowei, "Honoring each Victim." NewsWorks WHYY, April 8, 2014.
Dribben, Melissa, “In Art, Mother's Find Ways to Deal With Losing a Child." Philadelphia Inquirer, September 6, 2014.
Heidenry, Rachael, "Collaboration is the Basis for Anti-Violence Project, One Year, at the Rotunda." Artblog, September 16, 2013.
Simmons, Sheila, "Vessels Carry Message." Liberty City Press, January 15, 2013.
Intindoli, Lauren, Interview. PHL17 Eye Opener,January 8, 2013.
Fruean, Maleka, "Artists Continue their Work Memorializing Every Philadelphia Homicide Victim of 2012." NewsWorks WHYY, December 12, 2012.
Tevere, Melissa, et al, "Forgotten Philadelphia: Art and Writing Inspired by Philadelphia Heritage Sites." Philadelphia Stories, Inc., 2012.
Rosenberg, Amy S. "Images that Soothe, MamaCITA Installation Beginnings at Einstein Medical Center Montgomery." Philadelphia Inquirer, September 2012.

Collection

Einstein Medical Center Montgomery
Norristown, PA

Affiliation

InLiquid Art + Design
MamaCITA - A Mothers' Cooperative in the Arts
Cheltenham Center for the Arts
Da Vinci Art Alliance

Professional Experience

2017
Instructor, Natural Dying Workshop, Cheltenham Center for the Arts
Cheltenham, PA
2016
Visiting Artist, The Montgomery School
Chester Springs, PA

Exhibitions

2019
MamaCITA Bi Annual Exhibition, Cheltenham Center for the Arts, Cheltenham, PA
2018
Encaustic: Three Artists Meet, DaVinci Art Alliance, Philadelphia, PA
2017
MamaCITA Bi Annual Exhibition, Cheltenham Center for the Arts, Cheltenham, PA
2016
Simplicity, Juried, William Penn Charter School, Philadelphia, PA
2015
Re.Collection, Group Show and Installation, Cheltenham Center for the Arts, Cheltenham, PA
2014
The Road to Here, B-Square Gallery, Philadelphia, PA
Looking Up at the Cosmos, Mission First Housing Commission, Permanent Installation, Philadelphia, PA
2013
Represent, Langman Gallery Space, Jenkintown, PA
Begin: Hope, Faith, Resilience, Painted Bride Art Center, Philadelphia, PA
Painted Bride Art Center, Philadelphia, PA
2012
Forgotten Philadelphia, Fairmount Park Welcome Center, Philadelphia, PA
Arcadia University, Glenside, PA
Juried Exhibition, Abington Art Center, Jenkintown, PA
2011
Landscape Love Affair: Works from Fairmount Park and Beyond, LOVE Park Welcome Center, Philadelphia, PA
Following the Line, Art in City Hall, Juried, Philadelphia, PA
2010
(W)holon, Walker Fine Art Center Gallery, Martinsville, VA
Abington Art Center, Jenkintown, PA
Women in the Arts, Abington Friends School, Abington, PA
2009
MamaCITA at Green Lane Commons, Manayunk, PA
2008
New Faces, Art in City Hall, Juried, Philadelphia, PA
MamaCITA at Fetters Mill Inn, Huntington Valley, PA
2006
Philadelphia Sketch Club Juried Show, Philadelphia, PA

Public Art Projects
Permanent Installation, Union Eagle Senior Housing Project for Mission First Housing
Collaborative 2 MamaCITA members
Bordentown, NJ
Looking up at the Cosmos, Mural, Most Precious Blood Catholic School for Mission First Housing
Collaborative 4 MamaCITA members
Philadelphia, PA
One Year, Painted Bride Art Center and The Rotunda at the University of Pennsylvania
A 3 year mentoring and social awareness project in collaboration with MothersIn Charge
Philadelphia, PA
Beginnings, Permanent Installation, Einstein Medical Center Montgomery
Collaborative MamaCITA
Norristown, PA
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